I thought January went pretty well – I got super-close to my goal for the month. But what I could really use in my writing life is more months like February.
Number of Writing Weeks: 5 out of 5
Total Word Count: 4,125 words
Average Word Count Per Week: 825 words
% of Monthly Word Count Goal: 206.25%
Other Stats: 2.6 Writing Days per Week (I had a lot less consistency on which days of the week I actually sat down to write: four times on a Sunday, twice on a Monday, once on a Wednesday, twice on a Thursday, three times on a Friday, and once on a Saturday – overall Sundays were my most consistent writing day for February, followed by Fridays.)
Taken altogether, February was an excellent month for my writing. Not only did a write a bunch – by my historically anemic standards – but I also crossed a very meaningful threshold. February was the month in which I crossed the 100,000-word-mark in my novel. That’s a HUGE symbolic milestone for me. I’ve got something real going on here: it’s a big story, and I’ve got the words to prove it.
Story-wise this was a pretty big landmark, too. While I now expect that 100,000 words will prove to be somewhat less than the halfway mark for the finished novel (as reflected in the revised word count totals shown in the right hand sidebar), I’ve nonetheless reached something akin to the book’s spiritual halfway mark. Based on the remaining outline for the book, I’m thiiiiiiiiiissss close to the point where the heroine’s journey shifts gears, where she experiences a sort of mini-epiphany and really takes charge of her story.
Up to this point, I’ve thrown a lot of evil stuff at her, tossing her from one unfortunate circumstance to the next, and never letting her catch her breath. This is not to say her character wasn’t an important driver of the plot. But her goals were small and personal, while the world around her was demanding something more of her. In terms of the Hero’s Journey, she’s been resisting the “Call” for most of the first half of the book, even as circumstances dragged her kicking and screaming into the world of adventure. But now? This week, or possibly the next, I will write the moment when she stops resisting her destiny, and comes to embrace it.
There’s a lot to unpack in all of that, of course – it seems the first half of my novel goes against conventional wisdom that the hero character should be the primary driver of the plot, rather than letting plot happen to them. But I feel this is critical for her journey. In the end, however, it will be reactions from test readers – assuming I can find some when I finally reach “The End” – that will determine whether this approach works for this story, and whether the first half stays engaging despite my heroine’s staunch refusal to accept her role as protagonist. But one step before the next: before I can worry about that, I have to finish the first draft! 2020 may not be the year I do that, but if can repeat February a few times, I’ll start to make some satisfying progress toward that years-long goal.