I didn’t set out to become an expert in Steampunk – and in that regard I suppose I’m not in any real danger of becoming one – nor did I have an specific desire to write Steampunk, per se. It was just another reflection in the funhouse mirror that is the greater Speculative Fiction genre umbrella: a little bit sci-fi, an little bit fantasy, and a little bit something different. I liked it, the same way I liked Fantasy and Sci-fi. Heck… I liked it before I knew what to call it. (The word “steampunk” dates back to the late 80s, but the genre didn’t seem to enter the popular consciousness until the late 90s and 2000s. When I first discovered steampunk I had no word for it, and thought of it as “retro-futurism” and except for the fact that there’s now a significant fantasy cross-over segment of steampunk, I still think of it that way.) But my first love was the classic Epic and High Fantasy.
But then I started this blog. In the years before I started blogging Steampunk as a community – one part cosplay and one part literary movement – started gaining… um… steam. So by this time I was aware both of the genre and its attendant aesthetic and of the now-accepted term itself.
The first time I mentioned Steampunk on this blog was in response to a Flash Fiction challenge that I completed as a Friday Flash. This particular challenge asked us to use the word “zeppelin” somewhere in the story. So, naturally, steampunk. And this was the result. After that, I discussed Steampunk once or twice with other bloggers in comments on their posts, throwing in my own two cents on the ins and outs of the genre. Somehow, as a result of all that, I ended up writing one of my most popular posts on this blog: “A Steampunk Society“, which still gets hits today from people who apparently want to understand what values and mores would be present in a steampunk-inspired, pseudo-early industrial society. I guess there was a small hole in the internet concerning that particular sub-topic of the genre, because writing that piece made me into something of a second- or third-string “expert” on the Steampunk genre. And I’ve enjoyed digging deeper into the genre. I’ve promised myself someday to return to that article and rewrite it with a more scholarly and exegetical focus. I believe the popularity of that post lead indirectly to my first professional publication, here. And those two things together likely combined to lead to this post.
All of this was a long way of saying I was somehow identified as a member of the Steampunk literary fan community – possibly even someone of some influence, although I might have a hard time believing that – and that as someone of this type I might be interested in reviewing Ann and Jeff VanderMeer‘s latest steampunk-themed anthology, The Thackery T. Lambshead Cabinet of Curiosities.
Well… indeed I was interested in reviewing it – so when I was contacted to ask if I was, I responded in the affirmative. A few days later, a shiny new review copy of the Cabinet arrived on my doorstop. So now, allow me to introduce you, if you have not already made the acquaintance, to The Thackery T. Lambshead Cabinet of Curiosities.
What is the Thackery T. Lambshead Cabinet of Curiosities?
A fine question, my dear friend.
The Cabinet of Curiosities is, quite naturally, a curious specimen. It’s an anthology, sure – but it’s unlike pretty much any anthology you’re likely to have picked up. A typical short story anthology has a theme and a bunch of stories from different authors that fit that theme. But that’s not exactly what you’ll find in the Cabinet of Curiosities. Continue reading