Boys vs. Girls: The Audience of Speculative Fiction

So, earlier this week, I wrapped the first draft of “Story of G”, and I put out a call hoping for some beta readers to provide some feedback.

I was extremely gratified by the response.  Besides my Dear Wife, I’ve got three others currently reading, and anticipate another one or two readers after that.  That’s a much better feedback response than I got with “PFTETD” last year.  Then, besides my Wife, I had a grand total of 2 readers before I went to final edits before submitting the piece.  But I noticed something curious this time around: all my latest beta readers are ladies.

That observation reminded me of this post by author Blake Charlton from last year.  In it, he asks whether the market for speculative fiction books has shifted to cater overwhelmingly, perhaps exclusively, to girls over boys.  I had wanted to blog about that, when I read it, but I guess I never quite felt up to the challenge.  It is a charged and sensitive topic.  In noticing now, however, a shift in my beta readers from all-boys to all-girls a year later, I feel compelled to consider the issue a little more.  I’m delving into some politically choppy waters here, and I know going in that I won’t arrive at any firm conclusions, but I’m very interested to explore issues like this. 

As a writer, I write first out of my own interest and love of speculative fiction – that is to say, I write to entertain myself.  But secondly, I write to be read by others.  Whether those others who read my work will be predominately female, male, or some more equitable mix of the genders will potentially matter to me, especially if the demands and tastes of the one gender group turn out to be very different from those of the other, in which case the question of how best to meet those different demands and tastes in my work becomes quite pertinent.

To dispense with the obvious: I am a boy.  Well, a boy of the somewhat grown-upish variety, but a boy nonetheless.  And I read (and write) speculative fiction – particularly of the Fantasy variety (though “Story of G” is not strictly Fantasy). Continue reading