I’ve been writing off-and-on, recently. Fiction writing, I mean, not so much blog-writing. (Which is why updates here are still sparse.)
But the past few days, in the process of attempting to write, I think I’ve happened upon a fundamental mathematical property, quite by accident.
Simulated (Fictional Account of) Airship Combat + Abundant Internet Resources on Related Subjects + Sufficiently Nerdy Author Who Once Had a Strong Head for Mathematics = Trigonometry
Seriously… I’ve spent at least as much time calculating angles (in a three-dimensional space, no less), relative velocities, and similar such mathematical minutiae associated with two entirely imaginary airships engaged in combat as I have in adding new wordcount to the fictional work in question. And yet… despite that… my current productivity rate, in terms of fiction writing output, is at least as good as anything I did last year, on average.
Speaking of which… if I get a chance, I haven’t talked about my 2014-in-review or my 2015 goal posts as yet. It’s not that I’m not interested in tackling those subjects… it’s just that, given a limited amount of time in which to write and given the choice between writing introspective blog-posts or writing new fiction (or, as it happens, doing some math in support of writing fiction), I’m likely to choose the latter at the moment.
As for the math? I consider that a form of research. Crunch numbers to give me a reasonable sense of verisimilitude.
Image Source: “CC-NC-SAby Duncan Hull,
This one, “Story of V”, has officially been submitted to the “Writers of the Future” contest. While I’ve expressed my concerns about this contest in the past, it still remains, I believe, one of the best (and certainly one of the most financially lucrative) options for a pre-pro author to pursue.
So there it is. Story of V is in the Q4 2014 running for WotF. Wish me luck?
I got back a response on my submission of the story code-named “Story of K” this week. The response wasn’t too much of a surprise. The market in question was apparently flooded in submissions, and my story didn’t quite pass muster.
The rejection notice read mostly like boilerplate. I realize there’s no point in playing the “Rejectomancy” game. Seeing as there was nothing specific or personal in the rejection (a remark that the rejection does not reflect on the quality of the work, a comment on the volume of submissions versus number of acceptance slots, and an encouragement to continue submitting to said market), I can only conclude that the relevant market didn’t like the story. Did they hate it? Who knows? Was it high on the list of considerations? Impossible to say, but rather unlikely. Put off because the story was based on a flash-length work/draft first published on this blog? Possibly the tipping point on the rejection side of the accounts, or possibly entirely irrelevant if the story wasn’t good enough for that to make much of a difference.
Either way, I’m not hurt over it. While the rejection was boilerplate, it read as professional and considerate. While I thought my story was very good, and professional-quality prose, I’m not surprised over the rejection: I’d assume going in that it’s going to take me a long time, and a lot of submissions, for the dice come up in my favor. Because the way I figure it, once your work passes a certain quality threshold (and assuming this story did, in fact, pass that threshold), with the extremely large number of aspiring authors competing against the large number of established authors already out there, from the aspirant’s perspective it’s basically a game of chance as to which aspiring author makes the cut in any given submission.
I’m also not likely to be one to “celebrate” my rejections. I don’t view a rejection as being “one step closer to an acceptance”. All a rejection really means is that I submitted something, and it wasn’t accepted. Rejections aren’t milestones on the writing career path. They’re road blocks and detour signs. The celebration-worthy events, in my opinion, are the occasions of submissions and acceptances.
Next steps, besides finishing up my revision of “Story of V” as I find the time, is to research additional markets and see if there’s any possible alternate homes for “Story of K”. If nothing else, as I work my way down the lists, I’m relatively confident (hopeful?) I can eventually place this story at the very least at a semi-pro market.
In the meantime, I’ll be keeping an eye on this market. I don’t have any immediate plans to submit again to it, but that’s because I don’t have anything submission-worthy that I feel fits with this market. Should that ever occur, it’s not at all unlikely that I’ll submit again.
As I mentioned in my last post, I’ve been working on another short story project. I started on it roughly near the beginning of August when I ran across an F&SF market listing (which specific market I will not presently disclose) that immediately sparked my imagination. The code-named “Story of K” wasn’t a story I’d intended to write. But here we are: I’ve written the thing, it’s done, and it’s been submitted (barely by the market’s deadline). So that means it’s time for me to do another Post Script Process Analysis.
This time, I’ll be looking at the whole process of writing this one, from start to final draft – which is something I can do since that process was completely contained within a single month. As with “Story of V”, whose final draft I still need to get to, this story was based on a flash-length piece of fiction that I’d posted on this site back a couple years ago when I was participating in a weekly flash fiction writing exercise. When I encountered the aforementioned market and read the theme and requirements, this particular flash piece immediately leapt to my mind: I felt it resonated strongly with the desired theme of the market. Of course, however, said flash piece was really more of a vignette than a full-fledged story, and if I was going to try to submit this to an actual, paying market, I was going to need to delve into it more deeply.
Going in, I was concerned that the fact this was based on a “published” story on my own blog would render the heavily revised story inadmissible. I decided to go ahead with the new story, even knowing that this possibility was out there. If the story were rejected because it’s based on an existing, previously-published story, what’s the worst that could happen? It gets rejected. That’s the most probable fate, anyway, statistically speaking. Time will now tell whether the story’s ultimate fate is acceptance or rejection – and if the latter, there’s little chance I’ll ever actually know if the cause of rejection was the pre-existing version available here. So, not gonna sweat it.
That decision made, here’s how the writing actually went down. Read more…
If you visit my blog more than once every other week or so (my blog stats do not convince me that there are more than maybe a few of you who do, if any), then you may have noticed some activity on the blog’s sidebar; namely: a new project in the Writing Project Progress Update block.
The new project is code-titled “Story of K”, and I’m writing it for a specific market. (On spec, of course. I wasn’t invited to submit anything. As such, my expectations for it’s future at said market are at a realistically low level; which is not to say I’m not excited and hopeful.) The market for which I’m writing it has a hard upper-limit of 6,000 words for submissions. My personal goal was to keep it under 5,000 words. I overshot both, with a finished first draft of 7,500 words – which I completed in about two weeks.
I actually managed to trim that to 6,400 words on my first edit pass for the second draft. I’m reading through it again already and I’ve trimmed it further still.
But… as we speak, I still have another 200 words to cut to get it under 6,000 words. Each consecutive word to cut gets harder and harder to find.
The deadline for this market is the end of August – that is to say, days away.
If there are any of you out there still reading this – and possessed of sufficient bandwidth over the next couple days – who might have a desire to read and critique a story with a very short turn-around, I’d be most grateful. That’s my fantasy, anyway. I don’t actually expect any of you out there to have the time to sign on… especially as I’m still in a “can’t make any promises” state about offering return critiques.
So that’s what’s going on. Naturally, because of this, forward movement on the novel has taken a temporary back-seat. Likely after I”m done with this I’ll return to revising my other short-story project so I can try to do something with that, too. Then back to the novel. For now: the looming question is will I get this downsized enough in time? Stay tuned.
Well… that middle-of-the-year point has come and passed, and that means it’s time for me to take a look back at the first half of 2014, and measure myself up to what I’d hoped to accomplish for the year. Public accountability and all that. So I’ll go through my 2014 goals one-by-one and say a word or two on them. Feel free to, you know, move along until I post something of actual interest to you, but hey, I wouldn’t mind you sticking around and commenting at the end to help keep all of us honest!
1) Read at least 400,000 words worth of fiction in the first half of 2014: This was a goal well-met, which wasn’t surprising, but was a welcome milestone. I can’t be sure of the exact number of words I read through July 1st, because I hadn’t recorded an updated on the progress of the novel I was reading at the time for several weeks, but I believe it was somewhere in the neighborhood 600,000 words to 630,000 words. Not too shabby. If I set the goal of reading 400,000 words in the second half of the year, I’ll surpass 1,000,000 words of fiction read in 2014 easily. So, that’s what I’m going with. One Million: here we come.
(Click on down to read the rest of the goals…)
I’ve started on the next writing thing. I’m working on something I started writing last year. I made the mistake of looking back over some of what I’d previously written.
It’s pretty bad in some (many) (maybe most) places. It needs a lot of editing work.
Which of the various options did I decide to work on? It’s probably pretty easy to predict. I’m back (finally) to working on my novel (CodeName: Book of M). And what I’ve written so far is nowhere near what I want it to be. It doesn’t reflect the tone and quality of the story in my head… not at all.
But! I am resisting the urge to edit/revise/rewrite/whatever. I allowed myself the indulgence of a small number of notes – two or three – but on the whole I am pressing forward. Slowly, mind you. I haven’t written much by way of new material yet. But the old book is moving in the right direction. Hey, maybe in another decade-ish, some, all, or none of you dear readers will actually be able to read it!
My operating plan, currently, is to press ahead a certain amount on the Book of M project until I reach some predetermined point. I haven’t yet predetermined that point, but it’ll be something like hitting a particular wordcount goal, or completing a particular scene, or writing consistently over a certain period of time. Whenever I hit that milestone, I’ll temporarily switch gears to focus on a shorter story project. This way I don’t let the novel consume all my writing time and prevent myself from writing short-stories, which have a shorter market lifespan.