Skip to content

Writing Progress: Week Ending June 9, 2012

June 11, 2012

Last week was without question a very fine week indeed:

Book of M:

  • Background Notes Wordcount: 0 words
  • First Draft Wordcount: 3,416 words

Grand Total: 3,416 words

A wordcount like that makes me a very happy writerI suppose that wouldn’t work for a lot of other writers, but it’s more than 150% of my regular weekly writing goal.  I really have to give a lot of credit to Dear Wife for that, who was nothing but supportive and encouraging this week, cheerleading me on and trying to help me get to a 4,000-word week.  I fell short at the end – the source of some mixed feelings about my progress this week – but still had an amazing week.  That got me through Chapter 4 and starting into Chapter 5.  And it was a very exciting bit of writing to be doing.  There’s a lot going on in Chapter 4.  I got to really dig into some of the conflict that faces my protagonist and some of her emotions and feelings.  And I got to really dig into the backstory.

And, I’ve discovered that my protagonist is a serial eavesdropper.  In part, that’s a literary technique, I guess, and probably not a well-used one in my case.  How else do I get around my main character knowing (and therefore my readers knowing) certain things about other characters without those other characters knowing the main character knows? You know?  So maybe it’s a bit trite.  I don’t know.  But she eavesdrops.  A lot.  And, well.  If that is to be a part of her character, I suppose I shall have to incorporate it going forward, and to have this be a part of her toolkit on how she overcomes conflict.  In a way, I think it makes sense.  So hopefully it’s not just a poorly-used literary technique, but an illumination of character.

I’m particularly worried, in these instances of eavesdropping, about the risk of accidentally committing maid-and-butler dialog (i.e. “As you know, Bob…“).  I think I avoided it, but that’s hard to judge.  My intent is to show some faith in the reader to put pieces together without spelling it out, at least not spelling it out all at once.  In one particular instance of eavesdropping I tried to make it difficult for the character to hear because of the circumstances.  So I actually wrote out the whole conversation she’s listening to, and then I semi-randomly elided passages, leaving enough to hopefully look random while still providing sufficient content and clues for the reader to get the gist of it.

So, after all, that, and the euphoria of doing some writing that I felt awesome about, a tiny little panic set in: Oh no! Everything that I just wrote is complete and utter crap and I’m a talentless hack writing a pointless story!  Of course, you just have to ignore that and keep writing.  But it doesn’t mean that the panic-voice doesn’t nag you.

As I said, I  had some mixed feelings.  There was the “AWESOME I AM MADE OF WIN” feeling.  But there was something less happy, too.  When I hit the roughly 3,000-word mark, I left myself at the end of a chapter and I was done writing for the day.  That chapter-break kind of robbed me of some momentum, so when I sat down next I did relatively little new writing as I tried to figure out how to take the next step in the story.  Instead, I dithered about, fixed some things that I realized needed fixing (for example, I went through each prior-written scene to replace the directions used with a new set of directions – i.e. northwest became north), and did a little small-fries research, before diving into the writing and wrestling through the beginning of Chapter 5.  It’s tough because Chapter 5 is the natural partner to Chapter 4 in many ways.  Chapter 4 reveals a lot of backstory and character and motivation (I hope).  Chapter 5 is the point at which the character takes action based on all of that.

Or, in Epic Fantasy/Hero’s Journey/Mythic Structure terms, Chapter 4 is when the explicit “Call to Adventure” is made.  Chapter 5 is the character’s response.  (Although I don’t think there’s the classic “refusal” of the call.  The protagonist is conflicted about the call, but we already know how she’s going to respond because she’s effectively already made the decision at the beginning of the book.  She just needs a moment of impetus to help her make act on that decision.)  So it’s all potentially exciting stuff.  Except I have to try and make sure it all makes sense and I’m not just railroading the characters into predefined actions for the sake of the greater plot: in other words, I want to make sure that the actions they take are consistent with their characters and not just consistent with my plot.  It’s all well-and-good when you’ve outlined the plot, but the real work, the hard work, is in navigating that with your actual characters.

So, anyway, that’s where things are with “Book of M”.  Progressing, and progressing well, but not without moments of uncertainty and self-doubt…

Now enough about me.  Tell me about your week, your writing, and whatever.

About these ads
11 Comments leave one →
  1. June 11, 2012 10:25 pm

    I’d say that’s an occasion to celebrate! Though you didn’t meet the 4000 word goal, I’m impressed with what you did get done. Keep it up!

    • June 12, 2012 8:58 am

      Yeah, it was a pretty celebratory achievement. I expect this week will not be nearly so productive, but we’ll see what happens.

  2. June 12, 2012 11:27 am

    Well done, thats more than I managed this week.
    I think building in eavesdropping as part of the protagonists character has some legs – for example, they could mishear or only catch part of a conversation, and then the POV would become that of an unreliable narrator; or maybe hear something about themselves they rather had not but from someone they admire/ cant afford to get on the wrong side of. Hmmm so many possibilities….

    • June 13, 2012 8:46 am

      Yeah, there are a few interesting possibilities… though over time she’s going to have to grow out of it, I think. We’ll see what kinds of legs this has for this story.

  3. June 12, 2012 12:35 pm

    I was excited for you just seeing the little snippet of text that included your word count for the week. Great work! And cheers to your wife for all the support she’s given you… that’s incredible! Love hearing things like that.

    My week has been filled with ever changing little obstacles and successes (sounds like a normal week, lol). The most notable of these is the rain that keeps hindering us from putting seed into the ground, a harvest accomplished just in time and Sunday’s opportunity to share a word on freedom from Galatians and lead worship through music at a new friend’s local church. It’s been an awesome week, even if writing has had to take a back seat.

  4. June 12, 2012 2:05 pm

    Very interesting idea about eavesdroppng, and I love the idea of writing the whole conversation and then removing parts. That way you can introduce things almost subliminally (plus maybe even a humorous mis-hearing of a key piece of information). I did one mystery where my detective character was out in the hall, eavesdropping, during a key interrogation scene. It wasn’t so she could learn things, though, it was so she could time her entrance for maximum dramatic impact. :-)

    I also have a character who’s a voyeur, but that’s really just a character point — it doesnt really drive the plot.

    I also like the “Call to Adventure” idea. I think it divides up, though, into situations where the Call is external — some quest to go on, or a wrong to right — and where the Call is just in the character’s head. I have one of those in my current story.

    I had a pretty good week. Finished Part Six of Stevie One (4,210 words) and now just one more part to go. I’m very happy with how this is turning out so far.

    • June 13, 2012 10:08 am

      Heh. That’s certainly one way to illustrate some character. ;) I like the idea of eavesdropping for the purpose of timing a dramatic entrance. The “Call to Adventure” is basically cribbed from Joseph Campbell’s Monomyth/Heroic Journey structure, which is used by a lot of writers, especially in the fantasy genre.

      • June 14, 2012 6:33 am

        My detective is pretty much into the dramatic gesture, but in murder cases she restrains her urge (a bit), unless the sudden gesture will actually help solve the case. In this story, the crime was quite minor (students stealing the answers to a test), so she was more willing to indulge herself.

  5. June 12, 2012 4:58 pm

    Impressive word count this week! I’d note down the eavesdropping thing, and then see if it truly is overused when it comes time for edits? Sometimes being in the middle of it can skew your perspective. I would know about that bit LOL.

    I wish I had something to update, but I don’t.

    • June 13, 2012 10:10 am

      Yeah, it’s hard to know how overused or trite it is in comparison to other stories in the market. For now I just have to write the story the best I can and be as true to it as I can be… And Thanks! Hopefully you’ll be able to get back to it very soon.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Follow

Get every new post delivered to your Inbox.

Join 730 other followers

%d bloggers like this: